We are on the home straight now of such an enjoyable project - it is a treat to make a harpsichord from scratch after many years of repairs!
I'm working on the keyboard in the workshop and Jenny is preparing to paint the soundboard in the style of the 1725 Coston. This is of course a liberty since the harpsichord is modelled on the Barton of 1709 and the Keene and Brackley spinet of 1713. The only excuse is that there is a soundboard painting on a 1710 Tisseran harpsichord which may ave been painted by the same person as painted the Coston in 1725.
What a little jem this instrument will be.